Cinematic Color Grade
This tutorial walks through a complete teal-and-orange cinema grade applied to an outdoor scene. The technique generalizes to any palette; just change the wheel angles.
What we're trying to do
Push the shadows toward teal and the highlights toward orange. This is one of the most recognizable looks in modern cinema, used precisely because human skin sits in the orange range and contrasts sharply against teal.
Color grading is a finishing step, not a fix. Make sure the photo is already well-exposed and white-balanced before opening the wheels.
1. Establish the baseline
Open Adjustments (D).
| Slider | Set to | Why |
|---|---|---|
| Exposure | adjust to taste | Get midtones right first. |
| Highlights | as needed | Recover any clipping. |
| Shadows | as needed | Open shadows just enough to read. |
| Temperature / Tint | neutral your image | Don't fight the camera with a strong cast before grading. |
2. Open the Color Grading wheels
In the Color section, scroll to Color Grading. The 3-way view is selected by default: Midtones at the top, Shadows bottom left, Highlights bottom right, plus Blending and Balance below. Click Toggle Sliders to type exact Hue and Saturation values.
3. Push shadows toward teal
In the Shadows wheel, set Hue about 200 (teal) and Saturation 30 to 40. Hold Ctrl while dragging to change only the hue, Shift to change only the strength.
Watch the dark areas of the photo take on a cool cast.
4. Push midtones toward orange
In the Midtones wheel, set Hue about 30 (orange) and a slightly lower Saturation than in the shadows, about 20 to 30. Midtones cover most of the image, so a little goes a long way.
Watch the bright areas, including any skin and sun-lit surfaces, pick up warmth.
5. Tune Blending and Balance
| Slider | Set to | Why |
|---|---|---|
| Blending | 60 to 70 | Smoother transitions between zones. Lower for harder, more stylized cuts. |
| Balance | 0 | Keeps the zones where they are. Negative lets the teal reach further into the midtones, positive lets the highlight color reach further down. |
6. Finishing touches
A few small adjustments seal the look.
| Slider | Set to | Why |
|---|---|---|
| Contrast | +40 | Adds bite. |
| Vibrance | −10 | Tones down the now-extra saturation from the grade. |
| Effects → Halation | 8 | Subtle warm bloom on highlights, very film-like. |
| Effects → Glow | 10 | Adds atmosphere without being obvious. |
Other looks built the same way
Same workflow, different wheel angles:
| Look | Shadows | Midtones | Highlights |
|---|---|---|---|
| Teal & Orange | Teal (~200°), sat 30 to 50% | Orange (~30°), sat 30 to 50% | Neutral or slight orange |
| Bleach Bypass | Slight cyan, sat 15% | Slight yellow-green, sat 15% | Neutral; lower global Saturation |
| Warm Filmic | Brown (~30°), sat 20% | Warm yellow (~50°), sat 30% | Neutral |
| Cold Cinema | Strong blue (~210°), sat 50% | Slight cyan (~190°), sat 20% | Neutral |
| Vintage Magenta | Magenta (~330°), sat 30% | Yellow (~60°), sat 20% | Slight magenta |
7. Save it as a Style preset
Once you're happy:
- Open Presets (
P). - Click + (Save as new preset), name it "Teal & Orange" and choose Style.
- Apply to other photos in this shoot or future shoots with one click.
You can also share the preset with the Community Presets by opening an issue on GitHub.
See also
- Color → Color Grading for the slider reference.
- Workflow: Color Grade with Wheels for the underlying technique.
- Curves for an alternative grading approach via per-channel R/G/B curves.
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